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Madonna Ciccone, picture 1

Madonna Ciccone, picture 12

Madonna Ciccone, picture 13

Madonna Ciccone, picture 14

Madonna Ciccone, picture 15

Early life
Madonna Louise Ciccone was born in Bay City, Michigan. She was the third of six children born to Silvio "Tony" Ciccone, an Italian-American Chrysler engineer whose parents originated from Pacentro, and Madonna Louise Fortin, who was of Quebecer descent.
She was raised in a Catholic family in the Detroit suburbs of Pontiac and Avon Township (now Rochester Hills). Madonna's mother died of breast cancer at age 30 on December 1, 1963. Her father later married the family housekeeper, Joan Gustafson, and they had two children together.
Madonna convinced her father to allow her to take ballet classes. Her ballet teacher, Christopher Flynn, exposed Madonna to gay discotheques. She attended Rochester Adams High School, where she was a straight-A student and a member of the cheerleading squad. Madonna received a dance scholarship to the University of Michigan.[citation needed]
She left at the end of her sophomore year in 1978 and moved to New York City to pursue a dance career. Madonna has said:

“
"When I came to New York it was the first time I'd ever taken a plane, the first time I'd ever gotten a taxi-cab, the first time for everything. And I came here with $35 in my pocket. It was the bravest thing I'd ever done."[7]
”
She had little money and for some time lived in squalor, working low-paying jobs including a stint at Dunkin' Donuts. She also worked as a nude model. She studied with Martha Graham and Pearl Lang, and later performed with several modern dance companies, including Alvin Ailey and the Walter Nicks dancers.
While performing as a dancer for the French disco artist Patrick Hernandez on his 1979 world tour, Madonna became involved with the musician Dan Gilroy, with whom she later formed her first rock band, the Breakfast Club. In it, she sang and played drums and guitar before forming the band Emmy in 1980 with drummer and former boyfriend Stephen Bray. She and Bray wrote and produced dance songs that brought her local attention in New York dance clubs. DJ and record producer Mark Kamins was impressed by her demo recordings, so he brought them to the attention of Sire Records founder Seymour Stein.

Music career

1980–1985: Rise to fame
In 1982, Madonna signed a singles deal with Sire Records (a new wave label belonging to Warner Bros. Records) in the United States that paid her $5,000 per song. Her first release, "Everybody", a self-written song produced by Mark Kamins, became a hit on the Billboard Hot Dance/Club Chart but failed to make an impact on the Billboard Hot 100. It also gained airplay on U.S. R&B radio stations, leading many to assume that Madonna was a black artist.[8] The double-sided 12" vinyl single featuring "Burning Up" and "Physical Attraction" followed in 1983, and was a success on the U.S. dance charts. These results convinced Sire Records' executives to finance an album.

Her debut album, Madonna, a collection of dance songs, was primarily produced by Reggie Lucas, but in the process both realized they could not work well together. After initial production on the album was completed, Madonna took the record to her then boyfriend, John "Jellybean" Benitez, who remixed and rearranged it. It reached number eight on the U.S. albums chart and contained three successful Hot 100 singles, "Holiday", "Borderline", and "Lucky Star". At the time of its release, Madonna sold three million copies worldwide, one million of those in the U.S. It has since been certified with current sales of thirteen million worldwide.
Madonna's style became popular. Teenage girls were dressing like her.[9]

"Like a Virgin" (1984), directed by Mary Lambert, was shot in Venice, Italy and featured Madonna dancing on a gondola and in a wedding dress.

Her follow up album, Like a Virgin, was an international success, and became her first number one album on the U.S. albums chart. Buoyed by the success of its title track, which reached number one in the U.S. (with a six week stay at the top of the Billboard Hot 100 Singles Chart) as well as hit singles with "Material Girl" (#2 US, kept out of the number one spot by USA For Africa's "We Are The World" single), "Angel", and "Dress You Up", the album sold twelve million copies at its time of release and currently stands at seventeen million copies worldwide[10] and produced four top-five singles in the U.S. and the UK Her performance of the song at the first MTV Video Music Awards, during which she writhed on the stage (on top of a wedding cake) wearing a combination bustier/wedding gown, lacy stockings, garters, and her then-trademark "Boy Toy" belt, was the first of several public displays that boosted Madonna's fan base as much as they incensed some critics, who felt that her provocative style attempted to disguise an absence of talent.
In 1985, Madonna entered mainstream films, beginning with a brief appearance as a club singer in the film Vision Quest. The soundtrack to the film contained her second number one pop hit, the Grammy-nominated ballad "Crazy for You", as well as the UK hit "Gambler". Later that year she appeared in the commercially and critically successful film Desperately Seeking Susan, with her comedic performance winning her positive reviews. The film introduced the dance song "Into the Groove", which was released as a B-side to her single "Angel", peaking at number five in the US and becoming a major hit internationally, and her first number one in the UK.
Madonna embarked on her first concert tour in the U.S. in 1985 titled The Virgin Tour, with opening act The Beastie Boys.
In July 1985, Penthouse and Playboy magazines published a number of black and white nude photos of Madonna taken in the late 1970s. The publications caused a swell of public discussion of Madonna, who at first tried to block them from being published, but later remained unapologetic and defiant. Speaking to a global audience at the outdoor Live Aid charity concert at the height of the controversy, Madonna made a critical reference to the media and stated she would not take her jacket off, despite the heat, because "they might hold it against me ten years from now".[cite this quote] Madonna later appeared on the cover of the NY Post newspaper quoted saying about the photographs "I'm NOT ashamed."

1986–1991: Artistic development

Madonna's 1986 album True Blue presented a more musically and thematically mature album than its predecessors, prompting Rolling Stone to declare, "singing better than ever, Madonna stakes her claim as the pop poet of lower-middle-class America."[11] The album included the soulful ballad "Live to Tell", which she wrote for the film At Close Range, starring then-husband Sean Penn. The album was also the first to credit her as producer. She collaborated with composer Patrick Leonard, who would become a long-time collaborator and friend. True Blue reached #1 in various countries and sold over eleven million copies worldwide at its time of release[12] It spawned five successful singles: “Live To Tell,” “Papa Don't Preach,” “Open Your Heart,” “True Blue” and “La Isla Bonita.” All going top five in the U.S., the first three hitting number one.
The music videos for the album displayed Madonna’s continued interest in pushing the boundaries of the video medium to a cinematic level, including elaborate art direction, cinematography, and film devices such as character and plot. Though Madonna had already made videos expressing her sexuality, she added religious iconography, gender archetypes, and social issues to her oeuvre, and these concepts would carry through her work for years to come. One notable example was the "Open Your Heart" video, her first collaboration with French photographer Jean-Baptiste Mondino.
In 1987, Madonna starred in the box office failure Who's That Girl, and contributed four songs to its soundtrack, including the film's title track, which became a hit and Madonna's sixth #1 single in the U.S. The albums second single, "Causing a Commotion" also went top five.

In 1987, Madonna embarked on the successful Who's That Girl World Tour, beginning her long association with backing vocalists and dancers Donna DeLory and Niki Haris, and moving closer to the more elaborately staged theater-inspired concert tour. It also marked her first run-in with the Vatican, with the Pope urging fans not to attend her performances in Italy. The Vatican later expressed outrage at the unveiling of a racy 13-foot tall statue of Madonna in the Italian town of Pacentro, from where her father's family hailed[citation needed].
Later that year, Madonna released a remix album of past hits, You Can Dance, which included one new song, "Spotlight." The album sold nearly two million copies in the U.S. upon release.
Madonna's fourth album, released in 1989, Like a Prayer, presented more personal lyrics and a more mature vocal style. Co-written and co-produced with Patrick Leonard and Stephen Bray, it settled her as a serious pop artist. She teamed up with Prince on a duet, and he also played guitar on two songs. Like a Prayer garnered Madonna the strongest reviews of her career and attracted a more mature audience. All Music Guide described the album as "her best and most consistent",[13] while Rolling Stone hailed the album as "..as close to art as pop music gets".[14] Like a Prayer produced five hit singles, the title track, “Express Yourself,” “Cherish,” “Oh Father,” and “Keep It Together.” “Like a Prayer,” itself, hit number one on the Hot 100.

"Like a Prayer" (1989) caused controversy as it was condemned by the Vatican for its 'blasphemous' mixture of Catholic symbolism and eroticism.

In early 1989, Madonna signed an endorsement deal with soft drink manufacturer Pepsi, which would debut her new song, “Like a Prayer,” in a Pepsi commercial that Madonna would also appear in. Madonna would make a separate music video which Pepsi would have nothing to do with. Although the commercial itself was not controversial, the video for “Like a Prayer” caused an uproar. The video premiered on MTV and featured many Catholic symbols, such as stigmata, and was condemned by the Vatican for its "blasphemous" mixture of Catholic symbolism and eroticism[citation needed]. The video depicted a black man who comes to the aid of a white woman being murdered by white men and he is falsely arrested for the crime. Madonna, who has witnessed the crime, secures his release. Although the video's intent was to denounce racism, Madonna was criticized for her use of burning crosses and "making out" with Jesus, even though it was St. Martín de Porres.[citation needed] Pepsi was bombarded with complaints and boycotts. Since the commercial and music video were nearly identical in visual terms, the soft drink manufacturer was unable to convince the public that their commercial actually had nothing that could be deemed inappropriate. Pepsi pulled the commercial but Madonna kept her five million dollar fee, as Pepsi had nullified the contract, not she. The album went to number one on the US album chart and it sold six million copies worldwide at that time (three million of those in the US).

In 1990, Madonna starred as Breathless Mahoney in a film adaptation of the popular comic book series Dick Tracy. To accompany the launching of the film, in May 1990 she released I'm Breathless, which included songs from and inspired by the film's 1930s setting. It featured the #1 house music anthem "Vogue" (which was an homage to the Hollywood stars), the Gershwin-esque "Something to Remember", and three songs by Stephen Sondheim, including "Sooner or Later", which won an Academy Award for 'Best Original Song.' I'm Breathless was a success in Europe, Australia and the United States, and sold four million copies worldwide (2x platinum in the US) at its time of release.
From April until August 1990, Madonna toured Japan, North America, and Europe on her highly successful Blond Ambition Tour, which the singer likened to musical theatre. Featuring religious and sexual themes and symbolism, the tour drew controversy from Madonna's performance of "Like a Virgin", during which she allowed two male dancers to caress her body before she simulated masturbation. Despite the controversy, however, the tour is now considered to have changed the look and feel of concert tours, and remains one of the singer's most popular tours amongst her fans.

In November 1990, Madonna released her first greatest hits compilation album, The Immaculate Collection, which included two new songs: “Justify My Love” and “Rescue Me.” The music video for “Justify My Love,” again directed by Mondino, showed Madonna at the Royal Monceau Hotel in Paris, in suggestive scenes with her then-lover, model/actor Tony Ward, as well as scenes of S&M, bondage with gay and lesbian characters, and brief nudity. It was deemed too sexually explicit for MTV, and was subsequently banned from the station. Warner Bros. Records released the video as a video single—the first of its kind—and it became the highest-selling video single of all time.
In 1991, Madonna starred in her first documentary film, Truth or Dare (also known as In Bed with Madonna outside North America), which chronicled her successful 1990 Blond Ambition Tour, as well as her personal life. The following year, she appeared in the baseball film A League of Their Own, and recorded the film's theme song, "This Used to Be My Playground", which became her tenth #1 single in the United States.

1992–1997: Sex controversy and Evita

Erotica, produced primarily with Shep Pettibone, was disregarded as simply being a "porn" album, with most believing that all the album tracks were about sex; but in truth the album only featured three (out of fourteen) overtly sexual songs: "Erotica", "Where Life Begins", and "Did You Do It?". The album peaked at number two in the U.S. and produced six singles, with its most successful being its title track “Erotica,” which became the highest-debuting (number two) single in the history of the U.S. Hot 100 Airplay chart. The controversial music video that accompanied the song only aired three times on MTV due to its highly charged sexual content.

The Girlie Show Tour in 1993 was Madonna's most explicit and controversial concert tour to date and featured Madonna dressed as a whip-cracking dominatrix, surrounded by topless dancers, including Luca Tommassini and Carrie Ann Inaba. The controversy caused by the tour followed Madonna when she caused uproar in Puerto Rico by rubbing the island's flag between her legs on stage, while Orthodox Jews protested against her first-ever show in Israel. Madonna would later comment that this period of her life was designed to give the world every single morsel of what they seemed to be demanding in their invasion of her private life. She hoped that once it was all out in the open, people could settle down and focus on her work.

Credited as one of Madonna's most experimental videos, "Bedtime Story" (1995) directed by Mark Romanek featured images inspired by paintings by artists Frida Kahlo and Remedios Varo.

After the raunchy sex period, Madonna released her sixth studio album, Bedtime Stories, co-produced by Nellee Hooper and Dallas Austin. Madonna at the time was inspired by R&B/rock singer Joi's debut album Pendulum Vibe, and was so in love with it that she recruited producer Dallas Austin to help with her project. The album features Madonna turning to a more R&B-flavored sound. It was a success in Europe, Australia, and the United States, where it peaked at number three and was nominated for a Grammy in the Best Pop Vocal Album category. With its title track partially written by Björk, the album gave a hint of what would come musically a few years later. It produced four singles, including "Take a Bow", co-written and produced with Babyface. The song was a success on the Billboard Hot 100, reaching number one for seven consecutive weeks, but became the first Madonna song not to chart in the UK Top 10, charting at number 16. The Michael Haussman Spanish-themed video, meanwhile, would later help her win the lead role in Evita.
On 7 November 1995, Madonna released Something to Remember, a collection of her best ballads, which featured three new tracks, including a cover of the Marvin Gaye classic “I Want You,” which she recorded with British band Massive Attack, and the top ten hit “You'll See.” The album just missed the top five on the U.S. charts; it has since been certified triple platinum.
In 1996, Madonna’s most critically successful film, Evita, was released. The film's soundtrack became her twelfth platinum album and produced two hit singles, “Don't Cry for Me Argentina” and “You Must Love Me,” the latter of which was written specifically for the film. “You Must Love Me” won an Academy Award and a Golden Globe for Best Original Song From a Motion Picture the following year. Madonna herself also won a Golden Globe award for Best Actress in a Musical or Comedy but failed to receive an Academy Award nomination.

1998–2002: Return to prominence

"Ray of Light" (3 March 1998), directed by Jonas Åkerlund, featured a high-speed video, showing ordinary people performing their daily routines.

Madonna's seventh studio album, 1998's Ray of Light, blended personal and introspective lyrics with Eastern sounds, down-tempo, electronic instrumentation, strings by Craig Armstrong and a strong rave flavor. The album reached number two on the U.S. albums chart and since its release has been certified 4x platinum. It earned Madonna the strongest reviews of her career since Like a Prayer and has been widely considered by critics to be one of her greatest artistic achievements. Amazon.com described the album as "her richest, most accomplished record yet",[15] while Rolling Stone credited Madonna and her co-producer William Orbit for "creating the first mainstream pop album that successfully embraces techno", stating that musically Ray of Light is her "most adventurous record" yet.[16] Ray of Light produced five singles, including the European number one "Frozen". The album won four awards at the 1999 Grammy Awards and has been ranked #363 on Rolling Stone's list of 500 Greatest Albums of All Time. Madonna followed the success of Ray of Light with the top-ten single "Beautiful Stranger", a late 60s psyche-pop song she wrote with William Orbit and recorded for the Austin Powers: The Spy Who Shagged Me soundtrack (1999).

In 2000, Madonna released her follow-up film to Evita. The Next Best Thing was a disappointment at the box office and was panned by critics. Madonna contributed two songs to the film's soundtrack, namely "Time Stood Still" and European number one "American Pie", a dance cover version of the 1970s Don McLean single.
Music, her eighth studio album, had Madonna slightly step away from the exploration of spirituality and fame to get back to the "party" spirit of dance, pop, and house music. However, she retained the introspective poignancy of Ray of Light in songs such as "Paradise (Not for Me)" and introduced guitars for a more folk-like note, notably in “Don't Tell Me” or ballads such as “Gone.” Music debuted at number one on the U.S. albums chart and became her first number one album release since her 1989 Like a Prayer. Mainly co-written and produced with French house musician Mirwais Ahmadzai, the album produced three singles, including the worldwide number one "Music." The album's third single, “What It Feels Like for a Girl,” featured a controversial music video, directed by Madonna's husband, Guy Ritchie, and was banned by MTV and VH1 after just one airing due to its graphic violence.

In 2001, Madonna embarked on the Drowned World Tour, her first tour in eight years. The concert tour was successful, was the subject of a television special in the US, and was released on DVD in November 2001 to coincide with the release of her second greatest hits album, GHV2. Unlike her previous compilation, GHV2 did not include any new songs, although clubs did receive multiple mega-mixes for promotional play only. In 2002, she wrote and performed the theme song to the James Bond film Die Another Day. The song reached number eight on the Billboard Hot 100 and was nominated for both a Golden Globe for Best Original Song and a Golden Raspberry for Worst Song.

2003–present: Commercial ups and downs

Madonna's ninth studio album, American Life, in which her lyrics were themed on the aspects of the American dream, fame, fortune and society, received mixed reviews.[17] Arguably her most daring and musically extreme album, American Life presented a darker and more serious side of the singer.
The music video for the first single, "American Life", caused controversy in the U.S., as it contained visceral scenes depicting war, explosions, and blood. The day before the video was to air on European television, Madonna pulled it and released instead an edited version, which showed her singing in front of flags from around the world. The song failed to perform well on the U.S. singles chart, peaking at thirty-seven on the Billboard Hot 100. In the United Kingdom, it rose to number two.
Having sold five million copies, American Life became the lowest selling album of her career. The album produced three more singles, all failing to chart in the U.S., but enjoying Top 10 success in various European countries.
Later that year, Madonna performed the song "Hollywood" with Britney Spears, Christina Aguilera and Missy Elliott at the MTV Video Music Awards. Madonna kissed Spears and Aguilera during the performance, resulting in tabloid press frenzy. That fall, Madonna provided guest vocals on Spears's single "Me Against the Music".
During the Christmas season of 2003, Madonna released Remixed & Revisited, a remix EP that included rock versions of songs from American Life, as well as "Your Honesty", a left-over from 1994's Bedtime Stories album. The collection failed to chart in the Billboard top 100.

In 2004, Madonna embarked on The Re-Invention Tour, which featured fifty-six dates in the U.S., Canada, and Europe and became the highest-grossing tour of 2004, earning $125 million. She made a documentary about the tour named I'm Going to Tell You a Secret, which debuted on MTV and was directed by Jonas Akerlund. Also in 2004, Madonna was involved in a brief legal battle with Warner Music Group, with whom she co-owned record label Maverick. The legal dispute ended with Warner Music Group buying Madonna's shares in the record label.[18] In 2004, Rolling Stone magazine ranked her #36 on their list of the 100 Greatest Artists of All Time.[19]
In January 2005, Madonna performed a cover version of the John Lennon song "Imagine" on the televised U.S. aid concert "Tsunami Aid: A Concert of Hope", which raised money for the tsunami victims in Asia.

Madonna's tenth studio album, the Grammy-winning Confessions on a Dance Floor (2005) which sold more than 10 million copies, was built as a continuous mix of dance songs, with musical elements borrowed from the '70s, and current dance music. The album received the most positive reviews since 1998's Ray of Light[20] and was considered a return to form after the negative reception to American Life. It has produced four singles: "Hung Up", became one of the most successful singles of all time, reaching number one in a record breaking 41 countries. Madonna opened the 2006 Grammy Awards with "Hung Up", alongside the nominated computer-generated band, Gorillaz. "Sorry" then became Madonna's twelfth number one in the UK. A third single, "Get Together", reached the UK Top 10 and became her thirty-sixth number one dance hit in the U.S. (the most for any artist in Billboard history), but failed to chart on the Billboard Hot 100 charts. The fourth and final single was "Jump", charting at number nine in the UK, by the end of 2006, Madonna became the most played international artist in Ibero-America.[21]
In the summer of 2006, Madonna signed on to become the worldwide face of H&M.[22] Included in the deal was a specially designed track suit, created by Madonna. The next year M by Madonna, launched in the United States, and internationally[23]. In it's first week, the line took in $15 million dollars. It became so successful that the company has ordered a second and third line for late 2007.[24]
Madonna's Confessions Tour kicked off in late May 2006. The tour grossed a reported $260.1 million and set the record for the top-grossing tour ever by a female artist in history, with a global audience of 1.2 million.[25] The tour sparked controversy when she used religious symbols such as the crucifix and crown of thorns in her performance of "Live to Tell". The tour ended its 60-date run on September 21, 2006, in Tokyo. A CD+DVD of "The Confessions Tour - Live from London" special was released on January 29, 2007 internationally and January 30, 2007 in the US.
In October 2006, Madonna flew to Malawi to help build an orphanage, which she also funded, as part of the Raising Malawi initiative. While there, she adopted a baby boy, named David.
In January 2007, Forbes Magazine reported that Madonna was the 4th wealthiest woman with an active career in entertainment with a net worth Forbes conservatively estimated at $325 million. Her "Confessions Tour" in 2006, netted her with a paycheck of $65 million dollars. The tour itself cost $100 million and netted $260 million.
Madonna has started production on her next album, and is expected to be release by November 2007.[26] A box set containing three CDs and two DVDs marking the 25th anniversary, is said to be released sometime in October 2007.[27]

Influences

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Madonna has cited her background as a Catholic as the major influence in her life and career. Her mother's death affected her.
The name "Madonna" is Catholic and references The Virgin Mary, who in the Roman Catholic Church is often referred to as "The Madonna". In a 1988 interview with Smash Hits magazine, Madonna said that Madonna is, in reality, her real name. She also described the name as being "very Italian", despite the fact that she was named after her French Canadian mother. The name "Madonna" is a combination of the two Italian words "ma" and "donna" which means "my lady." Therefore, no matter the nationality of the person named "Madonna", the name itself is of Italian origin.
Madonna's Catholic background and relationship with her parents were reflected in the 1989 album Like a Prayer, which featured songs about her parents and Catholic upbringing. The video for the title track contained Catholic symbolism, such as the stigmata. "Promise to Try" told of her sadness at the memory of her mother, while "Oh Father" told of a strict father who elicited fear in his child.
Madonna used the crucifix as a fashion accessory in the church setting of the "Like a Prayer" video, and in the stage design of her "Confessions" tour. In the The Virgin Tour, she wore the rosary around her neck. In the music video for "La Isla Bonita", she prays the rosary.
Madonna's Italian heritage has also been referenced in her work. The video for Like a Virgin, filmed in Venice, Italy, features her in Venetian settings. The "Open Your Heart" sees her boss yelling at her in Italian. In the "Papa Don't Preach" video, Madonna wears a shirt with the slogan, "Italians Do It Better".[28]
The video release of her Who's That Girl Tour, titled Ciao Italia! - Live From Italy, was filmed mainly in Turin, Italy.[29] In it, Madonna performs the song Papa Don't Preach while a portrait of the Pope appears on the screen behind her. "Papa" is the Italian word for "Pope".[30]) In her 2005 documentary I'm Going To Tell You a Secret, she jokingly states that she has "big, fat, Italian thighs." In film, she achieved a rare good review for her portrayal of the Italian American character Mae Mordabito in A League of Their Own.[31]
Madonna had both of her biological children baptized in a Roma Catholic Church. Yet, much of her career has seen rebellion against the Roman Catholic Church, In 1990, when Madonna toured Italy with the Blond Ambition Tour, the Pope encouraged citizens not to attend the concert.[32] The Pope accused Madonna of blasphemy against the Catholic Church (a crime in Italy), and attempted to have her banned from stepping foot on Italian soil[citation needed].
In response, in a 1990 press conference in Italy, Madonna declared, "I am Italian American and proud of it." In an interview with Rolling Stone magazine, Madonna said that the Pope's reaction hurt, "because I'm Italian, you know", but in another interview the same year stated that she had ceased to practice Catholicism because the Church "completely frowns on sex... except for procreation".[33] In the summer of 2006, Madonna drew criticism from Vatican officials when she took her Confessions Tour to Rome. Vatican officials claimed that Madonna's performance while hanging off a cross and wearing a crown of thorns was an open attack on Catholicism and should not be performed in the same city as the pope's residence.[34] In the documentary Italians in America - Our Contribution, author Gay Talese relates Madonna's rebellion against the Catholic Church to her Italian ancestry. Talese claims that Madonna's paternal ancestors come from a region of Southern Italy with a long tradition of rebellion against the Catholic Church.[35]
In 1988, city officials in the town of Pacentro, Italy,[36] planned to construct a 13-foot statue of Madonna in a bustier. The statue was intended to commemorate the fact that some of Madonna's ancestors had lived in Pacentro. The mayor of the city and the Pope intervened and prevented the project from coming to fruition, citing concerns that a statue of Madonna in their city would corrupt the morals of their youth.[citation needed]

Musical influences
In 1985, Madonna commented that the first song to ever make a strong impression on her was "These Boots Are Made for Walkin'" by Nancy Sinatra and that it summed up her take-charge attitude.[37] As a young woman, she attempted to broaden her taste in literature, art, and music, and during this time became interested in classical music. She noted that her favorite style was baroque, and loved Chopin because she liked his "feminine quality". She has also acknowledged the impact of Debbie Harry and Chrissie Hynde saying they "paved the way" for her. In an interview with the Observer on October 29, 2006, Madonna professed a love for fellow Detroit natives The Raconteurs and The White Stripes, as well as New York band "The Jett Set". Madonna has also commented that she enjoys Frank Sinatra, and especially likes to sing, "My Way" in the shower.

Film stars
During her childhood, Madonna became fascinated by films and film stars, later saying, "I loved Carole Lombard and Judy Holliday and Marilyn Monroe. They were all incredibly funny...and I saw myself in them...my girlishness, my knowingness and my innocence".[38] Her "Material Girl" music video recreated Monroe's "Diamonds Are A Girl's Best Friend" number from the film Gentlemen Prefer Blondes, and she later studied the screwball comedies of the 1930s, particularly those of Lombard, in preparation for the Who's That Girl? film. The video for "Express Yourself" placed a femme fatale character alongside an androgynous figure in male attire, which was compared to Marlene Dietrich and was inspired by Fritz Lang's Metropolis movie. The video for "Vogue" recreated the style of Hollywood glamour photographers, in particular Horst P. Horst, and imitated the poses of Marlene Dietrich, Carole Lombard and Rita Hayworth, while the lyrics referenced many of the stars who had inspired her.[39] Among those mentioned was Bette Davis, described by Madonna in a Rolling Stone interview as an idol, along with Louise Brooks and Dita Parlo.[40]

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Biography

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